米兰九😔口径

米兰九😔口径

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Fer=#nan`😛do Di Leo😇😃's 🙄Milan🙂🀩o Ca\libro 9:🀥🀒 is a🙂!=😎🀒n🀒😶 out😚😃😁-a😋😇🀀nd🀒-out🀑😘 ma🀮😑🀮😍sterpie%🀪`😛ce ::)of Italian😅_😁😀😷 Crim😝😐e cin:$ema and,🀑😍😜 '🀪🀪<in 😶<`😔m🀐😚😁y opinion, one of th🀔😏e most astoni-🀀s_😇`,😐hin🀩😝g cr>%)`ime sto🀚?ries🙄😆! ev er told. Th😘e f<😊irst '🥰film 😇🙃🀒in Di Leo's 😶🀭😉exc😝.[🙂el🙂le😪🀪😚&nt '😏😛Mi🀕🥰😐lie🀫@u' t@😎rilo😬gy😒"@🀕, Milano C🀚alibro😁 9 was fol,&😏😀lowed'/ by L😃^[😎a Mala Ord😐/😗ina (aka😗. Manh/😒🀒unt, als🀪😑 😆o 1972) and t 🀗he b#.r[😋🀚illiant I😔:🀥l B%😇😂🀭oss (😑🀒1973). The thre.🀚e films😜; are not connected🀫< story-wise,[?+. but all t_[😙😎hree 🀢>are excellent, and highl😔🀒😄y 🀫🀚 re🀐😜\alistic$ portra😄😗>yals of @🀀😃organi🀭zed c,😶🀭rim😐😀e. As far as$🀣.` I am concer🀀`/😚ned Manhunt is (😚🀀🀣al😗🀫lt🀢!hough excell😍`ent) slight😚😪🀑😒ly infe^😍r😷🀫 ior to t🥰😆-his one😂😙&😚 :😂and _ Il Boss which[😙=🀐 bo )😁th stan-😋d ou🀥😏t as a!🀩`bsolute all-time highlight🀩🀒 🀕😇s@🀐 of crime😅$<😃 cinema. Mi😃lan\o Calibro 9 is the best 😉🀔😑of them al=🀒😋>😪l😔"😒, a fi😶(lm😆😉🀩]] that i;#😄😎s astonishin🥰g in all aspects, be /🀀it th`🀭)e ingeni😗😗🀀😜o$u++s plot that, apart 🀫 fr🀒🀐😙😶om😋😒🙃😝 -😂a comp🀀elli🀕🀑🙄,ng st-🀑ory an🀒:d c😒🀒😎#l😌😊ever 🀀😝😁😒twists, includes social😊\^ cri😔😍ticism,😉 the per😏\😅😚form😶ances, the g😊🀩r🀑😬+🀕i🀩 😐🀭🀭tty a🀒t%mosphere and 😋😍🀐😗suspens/😄😜e or the brilliant😅🀔 score. I can hardl;y find *+the 😛🀩🀔😶ri*😄🙂😊ght words to express my admi`😚r=🙃ation😌 😐😂 for 🥰!+😒thi%*s m 😷a:😚ster🙂😃p'iec😃😂e😘😪🙃: w😗(hich easi>ly ranks a🀚-[😋🀩mon😌 😁g the greatest G;🀐'angste😘(😪r flick!😐s🀭:- ever😄`🀐(😒 br🀫😋[ought +😇🀚't😶😔o screen.  G😋ast🀮=]one]?@ Moschin s] =tar🀗🀢🀫/"s as Ugo Piazz😶?a, a tough and elliptica🙃🀗🀥l ex\'🀮-convict who has just been rele😚]""ased fr;🀚😅o$$m prison. I😄mmediately after 😗😅,😏h😙😎:is r😘:😌eleas!🀀e, U🀗>go is😀😜" &😗@😄a>pproach😅+*ed by m😌#embers of😍😀 the M^>😏ilan mob lead😜]😛 by t$😉-he 🙃🀚😐🀚ir😊ascible gangs,ter Rocco😚😛:,% (M 'a.🀑😏😷rio A😃 dor^=🀢f🀪.😆), as they suspect him to be#🀒 responsi&[/ble f'😍😁o😃🀕😅'r the😄[🀐 di![🀭-sa😇😐p😊😗🀣🀀pearance -🀪😒😃\of a l😃ar🀫ge sum *😀🀪of 🥰m😀[\on-/ey b😆😌elongi😂>ng 😷to😏 * $#😆thei😊@😜🀒r boss, 🙃🀒🀮 😉an 😷American 😃😎😷😘(Li🀣onel Stander)=% w,<ho co😅[n😊<🀣trol🀥 s the🀭 organi🀗😷zed crim;🥰$e in Mi😌🀫l😄%a😅🀣n...  Mil')😶ano Ca%🀒libr🀐😔😏o 9 <😄;is a film th/😏🀚😎at?😁😄😬 deli vers[🀥😆 an🀩🀩 astonishingly 😚😚realistic m🙃😍+ood of th😀)'e😘$😗😘 und?😇erw🀣😔orld🙃😗 ^ like hardly🙄=😐🀢 another. The @😙int^'🀒🥰riguin🀣=g 😷stor😃😔😘😍yli😛🙂ne goes in han😏d with 😆😑)i😚🙄🀮nte&restin🀮,🀣@g ch:=ara😃[😜cters, raw atmos😅🀥pher😌😒e, suspense and😚* breath😃🀮😆🀔taki😝🀕😊ng action, soci😋😝[al crit 🀩icism an😇🀚🀭😂d😝% brutal violence.<😘😔🀢 The fil' 😉m$ is s😬😗imply stunning fr😌om th🥰😄e b😋😛eginning to the e🥰🀀🀢'nd, whic😇/h is ?😬even in😃🀒😜😌tensified by the brilliant score, a collabo😊😄;ration of %😃>😪🀣the famou-*🀮s compos🀗😛er L🀩😗=uis 🀢🙃🀗Enríquez Ba(🀣calov a🙂😚nd the I🀥😏<🥰🀭talian Progr`.essive😋😀 Ro🀣🀫ck band Osanna. Ugo😐😜 P>)😬iazza mu😉🀑s😒#😆t be one of 🀒🀫😪🀩\the most char_😶😛😜ismat😷ic ga\[😅ngste🀚$🀮"r cha😍!ra😙 c&😷[ters eve🀢🙂r😐🀗🀩? :😐(😷😀in cinema, 😝*🀕and @😁Gastone 🀗🀮,]Moschin 😅"]was the pre🀗🀀fect choice 🀕😍😆for the 😔😙🥰r😐😁ole. Moschin delivers 🀭a😑 brill=&\`iant p(🀑er😝formance, and😪& the$😛 rest of th😃🙄e cas .t is also great. Mario \🀗🀩Adorf is`🀪/ ira% sci😄ble lik🀐😊e a r+😛😍🀗abid dog a😅s ;😊;😆the ferocious gan🙂&🀔🀀gster Roc-co🙄+😄, a role that fits🀐 him like 😑😝a .# glove. T😬🀒he great )$😑Lionel Sta😅😛nder f/🙃)<its perfectly in \🀫his r;😶🀚🀕🀑ole 🀣%o*😛:f the American M😌🀀 afia Do$😔🙂 n.  The😔 two cop 🀮😘[$char😋ac🀒ters in 😄😐t 🀔h😂😙`e fi@😌>lm are 🀩 =played by tw\😒?[o of the greatest:% reg😊\u😆&lars of It😏🀕alian 😛🀪genre-cinema, Luig>😔i P🀪😘😚😶istilli and F -'🀣rank 😇😛😪Wolff(+*$ (who😇# commi*&😉tted s.😐🀒😷#ui?😘cide 😍😉before 🀚t😀-^😉he <'😅😁film was 🙂=😂🀔 re$.lea😆😂+😝se,😊d).😔😒= The ravishing B😄😷🀔ar😎😪[bara *😏(🀥😗Bou/^che[😋t 😐is🀮 🙃😄 asto😚😒<nis😍!hing and incredi😅bly se🙄😃😒🀒xy i🀭😶@]n the !😛😜🀐ro🀭*🀢😏le of Ugo Pia🀚,😏😗zza🀮+😗's 😀🀔😇s %🀭tri🙂pper girlfrie.😅🀢nd😜🥰.🀩🙂 🀩: Bo ?`uch-🀚🥰et is both a %[😬stu😶😌😷nn😙.']ing beau😋🀕<😄t🀮🀀🙃y and-🀥🀕 🀒'a😏#😝n exce😜😒😀l🀒[<.lent a🙄ctress and .&*this is doub🥰,😘tlessly one of her mo#🙄st🀮🀫=🙄 memora<🙃😑🀕>b😒😑🀮le rol😙'😪es. Thi!@ s is also a po&😍😗l😑[😂itical fi😙🀪lm a, 🀪nd dire,😑.ctor :D i 🀚😒Leo embedded a lo+t of s😉🀕🀥😒😃ocial cri😪🀚🙃tici😘😎sm ab😁🀮?out t op😛🀫(ics 🀑🀥😐😔😂like corruption. This😏 🀐;🥰film s+😘🀕&i"🙃😜mpl🀫'🀑y 😅:😁h😝<😙as ever😪😎😂"yth_i[🀑ng😑🀫 one c'😝😪😆an possib🙂🀐ly>😁😪 desire in cine@ma. Film🀔🀚s like Milano Ca-😚😂(li😁😍br*😬o 9 are th')😘e reaso🀮n why 🀮😀,🥰😏I love cine🀢ma. This >😪is a^ n a\:&&bsolute mast😗😬<erpiece in🀪😗 all reg;🀕ards and, wit😜 😎😀hout exagge😙😆rat🀚🀐i😉,😏-!o🀔🀚n, one of the grea😂😐😒😝🀔test Crime flic.😙ks ever made😌;>\!🀚😃`😔 &^T😝=he ingenious 😊😶op😍\eni🀮🀫ng😐 %😘scene alo^ne is m 'ore m🀮:e) morable than most fil🀔😌🀒ms get in tw😃o hours.

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